Mac demarco discography
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As it would go, he liked the sound and stuck with it for the release.Īt first listen, most of the songs seem to follow the same pattern as any pop song would, but instead of employing the usual aspects of a hit song, Mac sticks to the basics, and it works.
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In an extensive interview with Pitchfork, the distorted guitar sounds on “Salad Days” actually come from excess smoke that warped his tapes over time. He records on analog tape, which is a reel to reel system that allows for a much higher fidelity than other techniques, mirroring the sound of the 80s that this practice was popular in. The meat of Mac’s sound, though, comes into play with the compositional techniques he uses, be it with his noodly guitar fed through presets of reverb and chorus pick ups on his earlier work, or with the warm synthesizers and Rhodes 54 keyboard he has smuggled into his later records. Mac definitely knows his shit and he’s not afraid to let you know. Behind the lovable slacker persona, there’s a more methodical artist working hard to master his craft. Even the title of his second LP, “Salad Days”, comes from a Shakespearean term describing the ills of youth. In one song, “Chamber of Reflection”, the melody is sampled from an electronic jazz song from 1975, by Japanese artist Shigeo Sekito, and the name? Taken from an old freemason tradition. You can definitely hear the Steely Dan and Dire Straights influences straight out of the 70s, but also aspects of classic 80s pop.
Mac demarco discography full#
Everyone around the internet was extremely excited at the prospect of new Mac DeMarco music that I thought I was feeling left out not divulging myself into his discography, so I started with “2”, his full length debut, and it finally clicked. What I have come to love about Mac DeMarco’s music are things that seem fairly simple, yet when executed effectively, can lead to dangerously addictive results, so here we go.Ĭategorized as jangle pop, lo-fi, and at times psychedelic by his critics, Mac’s genre really fluctuates from time to time, but he has self-proclaimed his style of music as “jizz jazz”, gracefully enough. I finally decided to give in when DeMarco released his mini-LP, “Another One”, back in August 2015. The timbre and effects on his guitar didn’t really do anything for me, and I was at a loss every time I watched him fling his persona and character all about the stage. I didn’t get it, and I’m sure that a lot of people who have a grasp on today’s music scene can echo my sentiments. It seems as if DeMarco, as of late, has caused his own cultural revolution one filled with mismatched fashion, uncut guitar strings, and a whole lot of viceroys, but that’s the side effect of what the real intrigue is to me. I used to be opposed to anything related to Mac’s sound, his style, and even whatever the heck is going on with his band.